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The News Agency of the International Society for Krishna Consciousness Wednesday, 14 May 2008 8:07am

Hare Krishnas Strike a Soft Tone in Houston

By for on 10 May 2008

Dr. Hansa Medley wakes up at 3:30 a.m. once a week and walks to the Hare Krishna Temple just around the corner from her small bungalow in northwest Houston. There she joins her mother, sister and three other devotees to prepare the temple's nine deities for the day. Before the first Arati ceremony at 4:30 a.m., they carefully lay out special outfits for eight statues, choosing coordinating jewelry and face paint.

Toronto Yogis Get "The Eternal Spiritual Experience"

By on 8 May 2008

Yoga enthusiasts all over Toronto untangled their arms and legs this April to check out InSpirit, a nine-day yoga festival with a difference billed as “The Eternal Spiritual Experience.” Events held at various venues around the city, including the University of Toronto, were designed to help people discover the ancient teachings of the East and their practical application to everyday life.

European Communications Conference Looks at the Positive

By on 8 May 2008

The European division of ISKCON Communications met this April at ISKCON’s picturesque chateau in Radhadesh, Belgium, with over thirty attendees from countries as diverse as Ireland, Latvia, Sweden and Italy. As outlined by Shaunaka Rishi Dasa at the meeting’s outset, much of the Communications team’s work since 1982 has been focused on dealing with challenges to ISKCON's authenticity – and sometimes even its right to exist.

When Karma Comes Knocking

By on 13 May 2008

The Sanskrit word “Karma” found its way into the English dictionary long ago so today even the most conservative American has a sense of what it means. Since then John Lennon sang: “Instant Karma Is Going To Get You,” and bumper stickers mock: “Don’t let your Karma Run Over My Dogma.“ But Karma is no joking matter.

Review: Ambitious Opera Slow on Action and Enlightenment

By on 8 May 2008
You know when people are drinking coffee at intermission that something is wrong. The audience that attended the April 19 presentation of "SatyaGraha" sincerely wanted to understand and be attentive to this opera but, like me, they found themselves fighting off sleep while desperately trying to follow along with few and poor tools to do so.